When I was team-teaching Humanities, our music teacher told us about a piece John Cage composed: 4’33”. It was written for any instrument or combination of instruments, and the score instructs the musicians not to play their instruments throughout the three movements. As the title suggests, the composition lasts 4 minutes and 33 seconds. The concert room is silent, except for ambient sound from the audience, and perhaps the building. My sources describe the piece as “modernist.”
Makes me wonder. Cage’s piece came about a year after Rauschenberg’s 1951 work, White Painting. (You can probably guess what that looks like.) I could possibly follow Cage’s lead in my blog and publish a blank page, and I do wonder at the response it would generate – most likely, concern for my health and/or computer skills. So – just think about it and I won’t have to do it.
No, this is not about the healing power of silence in this increasingly noisy world, with much of the “noise” coming to us silently on our phones. But maybe there is something appealing about the simplicity of those 4 minutes and 33 seconds. Hard for me to say, for I have never attended a performance of 4’33”, nor will I, if offered the opportunity. (By the way, if I were to buy a ticket to a performance, I would pay with my invisible VISA card.) A live performance is probably not the same as listening to the piece on some digital device. Perhaps I have been listening to it while driving and never noticed. I suspect that a major part of the live performance is seeing the group of musicians sitting there, not playing their instruments. This appeal is missing in the recorded silence.
So, perhaps the appeal of 4’33” is not in what does or does not come to our ears, but rather what happens between our ears as we listen to the musicians’ not playing. Thinking, perhaps, “What the f***?” And is there some sort of bonding with the other members of the audience? “Audience?” The word derives from the Latin word for hearing, which is what does not happen here. I would think that people attending a performance might feel more like witnesses rather than members of an audience.
Makes me wonder how applicable Cage’s idea is to other areas of our lives. When your wife asks you how you feel about this or that (her clothes, Trump, dinner – whatever), probably not wise to respond with 4 minutes and 33 seconds of silence. (It’s unlikely that the silence would last that long – unless she walks out.)
Several weeks ago, Kim passed along a scrap of paper with these words she had found somewhere: “Someone that I loved once gave me a box full of darkness. It took me years to understand that this, too, was a gift.” Kim says that this has to do with her ex-husband. For me, the darkness resembles the 4’33” of silence, like a door opening into an unknown room.